Jennifer has been a maternity photographer and family photographer for 15 years in Seattle, San Francisco and New York. Called the pioneer in maternity photography for her ground breaking work with the pregnant nude, Jennifer has been crafting unique images for her clients drawing on her artistic passion. For her pregnancy photography, she has been making her clients feel beautiful about their new curves. For her family photography, she draws on her photojournalism experience (she worked in East Africa, Japan and Mongolia) to capture the glow of your family in uniquely composed images that capture a special feeling that sometimes is hard to articulate.
Her beautiful photographs have been featured in the New York Times, Time Magazine, The Wall Street Journal and on other national press and television. Her first book, Portraits of Pregnancy: The Birth of a Mother is available at major retailers, and here on the website. See more testimonials from Jennifer’s clients.
I have spent my career studying the unique shape of the pregnant woman using my camera. With my most recent series, I am studying the landscape created by this form. When the images are printed large, the form becomes foreign. more…
Acclaimed photographer Jennifer Loomis and journalist Hugo Kugiya combine captivating fine-art photographs of pregnant women with intimate stories of their transformative journey into motherhood. The inspiring words and gorgeous photographs of these strong women from all walks of life show others how to deal with conflicting feelings of vulnerability and joy, and underscore that when a baby is born, so too is a mother.
For more than fifteen years, I have been photographing mothers and families. During our photography sessions, these women and their partners have shared with me their personal triumphs and challenges. It is their wisdom, guidance, laughter, spirit and grace that has inspired me to be all I can be not only as a photographer, but also as a person. I dedicate these stories to all of these women who have blessed my life in the past seventeen years. I share these stories here and more of them in my book Portraits of Pregnancy: The Birth of a Mother so others can benefit as I have. Continue reading →
On April 29th, I received an early morning email that the story had come out on CNN.com. This is a proud moment in my career and life where my photography made a difference. One of the photos led to this great guy being adopted, (and possibly one other child as well). As the article points out, “At 18, children in foster care essentially age out of the system. State agencies might offer them services such as job skills training or help building resumes, but they ultimately need to find a way to take care of themselves.” Many go into the military. Many struggle to find work and a home. Getting an opportunity to have a family to call your own is a dream for them all, but the older they get the dream fades. We are all so excited about Deon and his new family. We are planning on doing another shoot with Northwest Adoption Exchange in June of 2014. Stay tuned!
Ten years ago I was a photojournalist and then quit traveling and turned those skills towards the studio and working with moms and babies. Many people ask me about photography and I came up with some – hopefully useful – tips to help you narrow it down.
1. Find a photographer whose images you like, whose images resonate with you. You can find them on Google, these discussion lists, doctors offices, and via promotional cards at baby stores. Don’t get too intellectual. If you see images and they make you say ooooo, that is where I would start.
2. Find out the investment. What does the creative fee or session price include? What are the prices for prints? Ask for the print price sheet. Is there a minimum print order – (this can really sneak up on you if you don’t ask)? Do they sell scans? Albums, DVDs, canvas prints, framing whatever it is that you want – and you may not know yet, but get a view at the entire picture. Ask yourself, do you have time to make the prints and then take them to the framer and get them framed? Or would you rather just open the door one day and sign for a UPS package, open it up and hang up the framed prints you chose?
3. How much interaction do you want with the photographer after the session? For example, does the photographer help you select your photos or just hand you a disk, email you a link and you are on your own. Some photographers offer a more high touch service where they help you narrow the 200 images down to 10, and then they handle the printing to make sure it is done to their specifications and so it looks good. Others, just hand you the photos and you are on your own to print on Shutterfly. What do you want?
4. Is the photography or are the prints guaranteed? What if you don’t like the images from your session? What if your baby was getting sick and didn’t really perform? I think this is key especially when dealing with kids. Some times they have off days, just like adults. Maybe they were scheduled for too late in the day or whatever. This would be important in case the shoot goes side ways.
Regarding the prints, what if the photographer printed them too dark or too light for your taste? Will they redo them at no cost? Or are you just out of luck?
5. Finally, I would get recommendations or review testimonials from other clients.
Good luck. They are only this tiny once. It is such a special special time. Congratulations! Feel free to email me off the list if you have any questions.
As a photographer of what used to be a unique portrait genre, I decided to create a calendar for my clients to reflect the best of my work from the previous year. I have been publishing that calendar now for ten years and it has become one of my favorite project of the year. It forces me to look at my work and choose the best images. I usually have a trusted group of clients and friends who come over to help. We pop open a bottle of wine and start the projection of images. I want to get as many opinions as possible. Below, I have discussed each calendar and a bit about the decisions for the main images. The family images, on either side, are often more challenging to decide upon. But I do look for diversity, of age, ethnicity, families etc. It is important to me to include all families.
The 2014 Calendar will be posted next year. If you would like one, please email us.
Digital photography is prolific, easy, a great learning tool and, once you get all the gear, cheaper, so why do I still prefer film? I get asked this over and over again.
1. I prefer the look of film. It is different than digital. Digital is pixels, film is grain.
2. A film shooter has to understand exposure and shutter speed very thoroughly. Although film is thought to have a wider tonal range than digital, meaning it is more forgiving, you still have to get the highlights and shadows, or the information of your photo on the negative or transparency because you can’t fix it in Photoshop. If the film isn’t exposed correctly, then you don’t have the image. Continue reading →