We are Family Exhibit

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During the 2004 election campaign, I was really bothered that gay marriage was so controversial. In response I decided to do a series of portraits of gay families to show that the love of these parents for their children was no different than straight parents. My hypothesis was simple. If those against marriage equality could see the love of the families in my photos, perhaps they could see the gay parents as people instead of gay or straight. And if they could see them as people, perhaps they could understand just a little bit more, the desire to marry and be seen equally under the law.

A fairly new client mentioned that some photographers don’t like to photograph gay and lesbian families which I found shocking given that I have and do so many every year. She suggested I repost these, which I had taken down because they felt like old work to me. Old work or new work. We welcome all families in our studio.

Photos from the show

Photos from the show “We Are Family” that toured of same sex families done in support of same sex marriage.

Photo from the show

Photo from the show “We Are Family.”

From the show

From the show “We Are Family.”

From the show

From the show “We Are Family.”

From the show We Are Family.

From the show “We Are Family.”

From the show We Are Family

From the show We Are Family

From the show We Are Family

From the show “We Are Family”

From the show

From the show “We Are Family.”

From the show "We Are Family"

From the show “We Are Family.”

From the show

waf_10

I should also add that the show was a big success. The GLBT Center in Seattle was packed with lines out the door. The show traveled to Chicago and one other city. The best part was the feedback from the kids. Parents kept coming up to me saying thank you, that their child hadn’t seen so many photos of families like their own and it was great for them. They would walk around the room looking at the families many many times. It opened discussions about their own family. It gives me chills to think about all these lovely children seeing families like their own hanging on a wall in an exhibit. Thank you to all the families who participated in this show.

Maternal landscapes – New work

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First experimentation with the female landscape

I spent ten days at an artists’ retreat this past August and had a fantastic time. What came out of the program was a renewed sense of commitment to keep on progressing with my work with the pregnant female form. After many late night discussions with an artist friend (usually over wine which is so stereo typical), I decided I wanted to break the maternal nude into two categories, one being more about the individual and one being more landscape. Today I am going to discuss the landscape form.

The inspiration for this work comes from a well-known Japanese photographer, Hiroshi Sugimoto http://www.indejacobs.com/Sugimoto.html. Sugimoto”s pictures “seduce in a down to earth way – an enchantingly Japanese minimalism informs the artist’s black and white photographs (assemblylanguage.com)” He is best known for his seascapes which have been his main subject for the past 20 years.

The beauty in this simple horizon is stunning, and each horizon is unique depending on the day, the light and the weather. It is this work that started me thinking about doing the same with the maternal nude and the pregnant belly. I want to strip this form of all of its identifying features and let the viewer absorb the beauty and the softness of each individual shape. Sugimoto shoots with an old 8×10 view camera often making exposures that are up to 1 and a half hours long.

Sugimoto’s Mediterranean Sea

While I can’t quite ask my pregnant subjects to stay still for that long, I have started using some different techniques. I am starting to use a macro lens with my 35mm camera, and I have acquired a 4×5 view camera, which I will start experimenting with in a few weeks. Here are some of the latest pieces. I look forward to a room full of these. Currently I am printing them on Silver Gelatin Fiber paper 16×20 and hope to do them even larger.

Think of this shape and how much it represents. Why isn’t it better represented in visual history? This is the question that I am going to continue to pursue.

Recent work done with TMAX 3200 and a 60mm Macro

What can Leonardo DaVinci tell us about making better family photos

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Black and white photography of a child

Look at the triangles and the diagonals that are created.

I recently did a proof edit over the phone with one of my favorite clients. I have been working with her long enough that we have similar discussions about images we like and images we think work together. She is so great, she comes up with brilliant ideas for triptych (three images together) that sometimes I haven’t even seen. I love that!

Check out all the triangles in this image! And my client after working with me for several years has now developed her seeing and put them three together which I think is brilliant.

I am writing this today because I think these images illustrate what I feel to be an important aspect any good portrait or fine art photograph – the triangle or the diagonal. While we aren’t getting as specific as DaVinci’s Golden Ratio, that appear prominently in his work, a lot can be learned by studying this master.

The brilliance of DaVinci

As I photograph my clients and their children, I am not thinking about this. It is only after the session that I see what I have done. It is interesting to me that I was unaware I did it until a friend who is a painter was over at my studio and he pointed it out. After that it was all I saw and it made a good photo better.

More triangles. Do you see them?

Start looking at photography with this in mind and see if you notice something different about the images, whether or not you like them or you don’t. Good photography is more than just capturing a good smile, it is about creating something that has feeling and good composition. Good luck and have fun!

The crop brings out the triangles here.

Look at how the window panes cross right at her head. Look at the gentle way the little girl is touching her mother. I love this image.